Monday, 25 March 2013
Honour by Elif Sharak
Thursday, 14 March 2013
Running Like A Girl by Alexandra Heminsley
Sunday, 10 March 2013
The Quickening by Julie Myerson
Rachel and Dan have just got married. Expecting their first child, they set off for an impromptu luxury honeymoon in Antigua, leaving behind them the wife of Dan's best friend Rufus, recently killed in a car crash. As soon as they set foot on Antigua, however, things start to go awry.
Rachel begins to see a mysterious figure on the fringes of their idyllic resort: a shambling, bedraggled man whose presence she alone registers and whose thoughts begin to merge with her own. As soon as she is alone, he appears to her, lying at the bottom of their swimming pool or trailing across the beach as she sunbathes. Her relationship with Dan begins to deteriorate too; she no longer trusts her new husband, and retreats into an inner world where the movement of her unborn baby (the "quickening" of the title) is the only thing that can bring her comfort.
This is the latest in a series of supernatural novellas published under the Hammer imprint by Random House. (Helen Dunmore's The Greatcoat and Jeanette Winterson's The Daylight Gate have previously been published - thanks to Fanny Blake on Twitter for pointing this out to me). And like its forebears, The Quickening is a genuinely creepy tale from a very skilled author. The notes to the book mention Julie Myerson's fondness for ghost stories and, as a ghost story obsessive, I could see the spirit of MR James hanging over this disturbing and occasionally violent chiller. The presentation of the mysterious figure recalls "Lost Hearts" in its grotesqueness, and the abrupt and shocking ending has hints of "O Whistle And I'll Come To You".
I joined in an interesting conversation with the great Sophie Hannah on twitter recently about ambiguity in modern ghost stories. She questioned whether it's become a cliché in modern ghost stories for ambiguity about the presence of the ghost or otherwise to signify a questionmark over the central character's sanity. Is it real, or is he/she simply disturbed? Lots of readers agreed that this has become a bit overdone and wished for the return of straightforwardly malevolent spirits (the prime modern example of which is, of course Susan Hill's terrifying Jennet Humfrye). Rachel's haunter in The Quickening is ambiguous in a more complex way than those which Hannah describes; whilst it's certainly true that he is real, where he ends and Rachel begins is not always clear. Has her obsession with him taken her over, or is he controlling her in a different way? (Sophie Hannah's The Orphan Choir is the next to be published under the Hammer imprint, and I am eagerly anticipating it.)
Like all good supernatural tales, The Quickening has the right balance between a growing sense of unease for the reader and the characters and some shocking moments. The ending, too, seems both inevitable and awful at the same time. And the title combines both the beginnings of life in the baby Rachel is carrying and the stirrings of something horrible in a seemingly perfect paradise.
A review copy of this novel was provided via Net Galley. The Quickening is published by Random House on 28 March.
Saturday, 9 March 2013
Just What Kind Of Mother Are You? by Paula Daly
What's your worst nightmare? Lisa Kallisto is living one of hers.
Lisa tries hard. Very, very hard. Running her family and staying on top of her job is hard work, though , and leaves her permanently frazzled. Her best friend Kate, however, seems to have it all. She lives in a beautiful house with an attentive husband and is the kind of mother Lisa dreams of being. Kate manages everything perfectly, from washing to school fêtes; she's the centre of her children's world.
Which only makes Lisa feel even more wretched when Kate's daughter Lucinda goes missing. Lucinda is supposed to be staying with Lisa's daughter, Sally, after school. But Sally doesn't go to school that day and Lisa, permanently frazzled as she is, simply forgets that Lucinda is supposed to be at her house. So when Lucinda doesn't arrive at school the next day, she's already been missing for hours. To make matters even worse, another local girl recently went missing and turned up traumatised and half naked.
Lisa determines that she will save Lucinda. But it's not easy. Her family and Kate's family come under extreme pressure and threaten to burst apart at the seams.
This pacy thriller stems from this simple but brilliant question: what if it was your fault that your best friend's child was abducted? How could you live with the guilt? Anyone reading the opening chapters, parent or not, will feel their stomach lurch with Lisa's as her nightmare unfolds.
Daly also explores modern families and the desperate striving for a Cath-Kidston esque domestic perfection that drives many women to run themselves ragged. In the compelling opening chapter, Lisa complains about feeling overwhelmed, but realises that her life looks perfect from the outside. And as the story develops she finds out a lot more about what it takes to keep Kate's supposedly perfect life on track. Daly is good, too, on the jealousy lurking in friendships. Lisa can't help but envy Kate's lifestyle and Kate herself.
I finished this book in a day and would have finished it even more quickly if I hadn't had to go to work! It's pacy and twisty, with a real shock at the end. Thriller fans will love it, and so will fans of psychological crime fiction written by the likes of Sophie Hannah or Nicci French. A very promising debut indeed.
I must thank Alison Barrow at Transworld, who kindly provided me with a review copy. Just What Kind Of Mother Are You will be published in April 2013.
Monday, 4 March 2013
Kiss Me First by Lottie Moggach
How do you know who you're talking to online? Who lurks behind that desktop, laptop, tablet or phone screen? When you tweet, or update your status on Facebook, or even write a blog post, how do you know who's reading it?
All these chilling questions are at the heart of Lottie Moggach's debut novel. It's the first book I've read to truly get to the heart of these unsettling issues and ask its reader to query the trust we now place in the internet, and social networking in particular.
Tess wants out. Out of her life, out of her family, out of the world. To help her slip away, Leila agrees to take on her identity online after Tess has taken her own life. Leila takes this project on at the request of Adrian, a philosophical guru she has met on a discussion forum. For Leila is nearly housebound, cut off from normal life by years of caring for her mother, an MS sufferer.
So that she can "be" Tess online, Leila embarks on an exhaustive trawl through Tess' s virtual past. With Tess's cooperation, Leila sits at her computer and reconstructs Tess's life. She reads her emails, her Facebook updates, her entire digital backstory in her quest to become Tess. And of course she is quickly in too deep. Beautiful, flirtatious, confident Tess is everything that Leila is not. Soon "being" Tess is more attractive than being Leila.
The premise is original but this is more than just a concept-driven novel. Leila is a captivating narrator. Personally, I pitied her and wanted to protect her from the harm. However, Leila is of course doing harm through her actions - even though she cannot see this herself. I've already enjoyed discussing Leila's actions and can see lots of bookgroups having a great chat about this very issue.
The novel really made me think about the idea of a digital footprint. So many people now rely upon the internet for communication, and so many of us now meet people online. But why do we trust our screens? After reading Kiss Me First I've found myself thinking twice before updating my status and filling in my "friends" about my trip to the gym. Who knows who's reading it?